A Catalogue of the Possible

The Guardrails

for each traveller he sets the barriers: too tight and they cannot steer, too loose and they fall.

For thirty years it was Halloran's office to decide, traveller by traveller, how close the rails should run along the high road.

The road climbed from the valley to the pass in a long ascending coil, cut into the side of the mountain, and on the outer edge of every turn was the drop, and between the road and the drop ran the rails — not a single fixed barrier, as a stranger might assume, but a system that could be set, link by link, tighter or looser for the length of any given traveller's passage. This was the part no one outside the trade understood. A stranger thought a road was a road, the same for everyone, the rails where the rails were. But Halloran knew that the rail which saved one man would ruin the next; that a barrier set close enough to keep a nervous carter from the edge would, for a horseman who knew the mountain, become a wall he was forever scraping against, hemmed in, unable to take the line through a turn that the turn actually wanted, learning nothing of the road because the road had been hidden from him behind iron. And he knew the opposite ruin as well: that the same loose setting which let the horseman fly would let the nervous carter drift wide, then panic, then haul the reins too hard the other way, and overcorrect, and go off the edge in the act of trying not to.

There was no correct setting. That was the first thing the trade taught and the last thing anyone believed. There was only the correct setting for this traveller, in this season, on this stretch — and the rails had to be read onto the person, fitted to them the way a good tailor fits cloth, neither hanging loose nor binding, and the reading was the whole of the art and could not be written down, though Halloran's predecessors had tried, leaving him a book of instructions he had honoured for a year and then quietly outgrown.


He set the rails by watching.

He watched them come up out of the valley, each traveller, in the first easy mile before the climb began, where the road was wide and forgiving and a man revealed himself without knowing he was being read. He watched the hands. He watched whether a carter looked at the road ahead or only at the wheel beside him; whether a rider tested the edges of the lane or kept religiously to its centre; whether the fear in a face was the fear that steadies a man or the fear that unstrings him, for they look alike to the untrained and are opposite things. And from this — from a hundred such signs, taken in beneath argument, the way one knows a face — Halloran set the rails for that traveller's climb: close here, where this one would lose nerve; loose there, where this one needed to feel the road bare beneath the wheels and learn it. Then he watched them go up, and he watched, where he could, how they fared, and he carried the result into the next reading, and the next, for thirty years.

He was good at it. The pass had the lowest toll of lost travellers on the whole range, and the keepers of the other roads came to learn his method and went away unable to reproduce it, because there was no method, only the watching, and the watching could not be lent.

But he kept a private ledger, which the office did not require, of the ones he had got wrong. He was honest in it, more honest than anywhere else in his life. Two columns. In the one, the travellers he had held too close — the ones he had read as fearful and walled in tight, and who had come down the far side resentful and small, having driven the whole mountain pinned against the iron, never once permitted to find their own line, hating the road and, Halloran suspected, hating themselves a little for needing the wall, though they had not needed it, he had only judged that they did, and the judging had made it so. And in the other column, the worse one, the ones he had freed too soon — read as steady, given the loose rail, the bare edge, the room — who had drifted, and overcorrected, and whom the mountain had taken, on a stretch where a closer rail would have held them, and did not, because Halloran had trusted them with more road than they could yet stand.

He could not say which column shamed him more. The crushed were alive and diminished. The lost were neither. He carried both up the mountain every morning of his working life.


The matter turned in his twenty-fourth year, over a single traveller, a young carter he was nearly certain he had read wrong.

The boy came up out of the valley with hands that would not settle and eyes that went too often to the wheel, and everything in Halloran's training said close, said wall this one in, he is the drifting kind, give him no edge to drift toward. And Halloran, that morning, for reasons he could not afterward fully reconstruct — fatigue, perhaps, or the long accumulated weight of the first column of his ledger, the resentful crushed ones — did not. He set the rails a notch looser than the reading called for. Not loose. A notch. Enough that the boy, on the long third turn where the mountain opened, would feel the road bare for a stretch and have to find his own line across it, with the iron near enough to catch a true mistake but far enough that an ordinary wobble was the boy's own to correct.

He watched the boy go up with his heart in his mouth, certain he had just written a name into the second column.

And the boy found the line. Not smoothly — there was a wobble on the third turn, exactly where Halloran had feared it, a wide drift and a sharp correction — but the correction held, because the boy had been given the room to make it himself and so had made it himself, and a thing a man does himself he can do again, where a thing the wall does for him he never learns. The boy came over the pass steadier than he had entered the climb. He had become, in nine miles, a better carter than the one Halloran had read in the valley — better than the reading, better than the instruction, better than anything Halloran had set out to produce; he had become, given the notch of room, something Halloran had not known how to ask for and could only recognise after the fact, which is the only way that kind of thing is ever recognised.


He sat with that for a long time, in the keeper's hut at the top, in the failing light, and it rearranged him.

He had thought the art was control — the precise iron, the right wall, the traveller held to the line the keeper had chosen. He had thought, on his blacker days, that the art was the impossible weighing of his two columns, the endless guilt of holding too close against the worse guilt of freeing too soon, a man condemned to choose forever between crushing and losing. But the boy on the third turn had shown him a third thing, which was neither the wall nor its absence. It was attention. It was reading the traveller closely enough, and then trusting them with just slightly more road than the reading strictly licensed — a notch, no more, but a notch given on purpose — so that they had room, not to be safe, but to become; room to surprise the man who set the rails; room to come over the pass as something better than the keeper had known how to specify. The wall, set perfectly, produced exactly the traveller Halloran had foreseen, and not one inch more. The notch of trusted room produced travellers who exceeded him. The ones who flourished, he saw now, paging back through thirty years, were every one of them the ones he had given space to become better than his own instructions; and the magic of the trade, the thing the book could never hold, was precisely that — the moment the traveller's road ran past the edge of the keeper's map, into country the keeper had not charted, and arrived, and was fine.

This did not make the rails pointless. A road with no rails is not freedom; it is the drop. The discipline remained, and it was a real discipline, the hardest he knew — not the discipline of holding the line but the discipline of how much to let go, which is harder, because letting go feels like negligence to a careful man and is in fact the opposite, is the higher care, the care that wants the traveller better rather than merely intact. He went on setting rails for six more years, and he set them, if anything, with more attention than ever and a half-notch looser than he once would have dared, and his ledger's second column did grow, a little, because the discipline of room is not the discipline of safety and a keeper who never loses anyone is a keeper who has crushed a great many quietly instead. He made his peace with that price. It was the true price of the trade, and he had spent twenty years paying the other, larger one without knowing it.

He retired the way such men retire, in a quiet handing-over of keys that no traveller witnessed. On his last morning he climbed to the hut and watched one final traveller come up out of the valley — a rider, this time, with steady hands — and he set the rails for her loose, looser than he had set any in thirty years, and he watched her find a line through the third turn that he himself had never thought to take, and go on up, and over, and down the far side into the country past his map, getting smaller, getting better, becoming on her own road something he had not built and could not have, and he stood a long while at the rail after she was gone, holding the cold iron the way the gardener holds the trowel, and felt no urge at all to call her back to the line, only the quiet of a man who has learned, at the very end of the work, that the best of what he ever made were the things that grew past him and never knew his name, which was, he thought, walking down into the valley in the ordinary light, exactly as it should be, and the whole of what the rails had ever, rightly, been for.